Move Fast and Break Things

How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy

by Jonathan Taplin

Number of pages: 320

Publisher: Little, Brown and Company

BBB Library: Technology and Globalization

ISBN: 978-0316275774



About the Author

Jonathan Taplin is the Director Emeritus of the USC Annenberg Innovation Lab, and a former tour manager for Bob Dylan and The Band, as well as a film producer for Martin Scorsese. An expert in digital media entertainment, Taplin is a member of the Academy Of Motion Picture Arts and Sciences and sits on the California Broadband Taskforce and Los Angeles Mayor Eric Garcetti's Council on Technology and Innovation.

Read More...

Editorial Review

Move Fast and Break Things is the riveting account of a small group of libertarian entrepreneurs who in the 1990s began to hijack the original decentralized vision of the Internet, in the process creating three monopoly firms--Facebook, Amazon, and Google--that now determine the future of the music, film, television, publishing and news industries. Jonathan Taplin offers a succinct and powerful history of how online life began to be shaped around the values of the men who founded these companies, including Peter Thiel and Larry Page: overlooking piracy of books, music, and film while hiding behind opaque business practices and subordinating the privacy of individual users in order to create the surveillance-marketing monoculture in which we now live.

Book Reviews

“Taplin is uniquely poised to deliver us Move Fast and Break Things, a relentless critique that seeks to answer the above question of why the internet has hindered, rather than helped, those trying to make a living in the arts.” ―New York Daily News

“Taplin is reduced to hoping that the dominant players of the digital world will come to their senses and realize the damage they are doing.”

Books on Related Topics

Wisdom to Share

Our hopes for the internet were to overthrow political hierarchies and decrease inequality, but these have only turned into pipe dreams, the fantasies of digital utopians.

The original mission of the internet was hijacked by a small group of right-wing radicals to whom the ideas of democracy and decentralization were anathema.

In a famous encounter in 1953 at MIT, Marvin Minsky, the father of research on artificial intelligence, declared, “We’re going to make machines intelligent. We are going to make them conscious!” To which Doug Engelbart replied: “You’re going to do all that for machines? What are you going to do for the people?”

History is made by humans, not by corporations or machines.

Allowing our dissimilarities to act as barriers is not the same as appreciating what makes each culture unique, situated in time and space, and connected to a particular people.

Google can continue to do well even if it leaves providers of its complements gasping like fish on a beach.

In a world where four hundred hours of video are uploaded to YouTube every minute of every day, the commodification of what was once considered an art (or at least a craft) has become inevitable.

Google will do whatever it wants without asking permission, and the result will be so awesome that no one will complain.

More people than ever are listening to music, reading books, and watching movies. However, the revenue flowing to the creators of that content is decreasing while the revenue flowing to the big four platforms is increasing.

The balance of power in the world of entertainment has shifted to monopoly platforms.

It is in the world of digital media that the monopoly trend is most pronounced.